{"id":12343,"date":"2018-06-07T04:03:44","date_gmt":"2018-06-07T04:03:44","guid":{"rendered":"http:\/\/www.lifeandnews.com\/articles\/?p=12343"},"modified":"2018-06-08T04:06:31","modified_gmt":"2018-06-08T04:06:31","slug":"how-female-protagonists-have-changed-and-stayed-the-same-in-young-adult-fiction","status":"publish","type":"post","link":"https:\/\/www.lifeandnews.com\/articles\/how-female-protagonists-have-changed-and-stayed-the-same-in-young-adult-fiction\/","title":{"rendered":"How female protagonists have changed \u2013 and stayed the same \u2013 in young adult fiction"},"content":{"rendered":"

Kelly Roberts<\/a>, Meredith College<\/a><\/em><\/span><\/p>\n

Strong female protagonists in young adult fiction are nothing new. From Nancy Drew<\/a> to Annemarie Johansen<\/a> \u2013 Lois Lowry\u2019s selfless heroine in Holocaust-era \u201cNumber the Stars\u201d \u2013 to a plucky young Lucy Pevensie<\/a> in \u201cThe Chronicles of Narnia,\u201d young adult fiction has always enjoyed a healthy share of women ready to figure it all out, enlighten, and sometimes literally save the day. <\/p>\n

But the female protagonists who star in this decade\u2019s crop of young adult fiction show three interesting shifts.<\/p>\n

1. Unlikely heroines<\/h2>\n

One refreshing trend is unlikely heroines \u2013 young women who are not really looking for fame or grandiose accomplishments but simply trying to survive. These protagonists are everyday whispering warriors. They show quiet strength at times but mostly just embody a confident if unassuming way of walking in a world where they definitely belong but feel no obligation to prove it. <\/p>\n

A stellar example lies in the character of Marin in Nina LaCour\u2019s Printz-winning young adult novel \u201cWe Are Okay<\/a>.\u201d Marin adjusts all on her own to life in New York, fleeing her West Coast past after being reared by a stoic grandfather who dies suddenly before her freshman year of college.<\/p>\n

\n \"\"<\/a>
\n \u2018We Are Okay,\u2019 an award-winning book by Nina LaCour, focuses on Marin, a young girl who represents a growing cadre of \u2018whispering warriors\u2019 in young adult fiction.<\/span>
\n http:\/\/ninalacour.com\/<\/a><\/span>
\n <\/figcaption><\/figure>\n

While this character masterfully shows the internal struggles common to LGBTQ teens discovering their sexuality, she also spends Christmas pretty much alone in her dorm room, fighting ennui, being snowed in, and remembering the gentle, confusing lies her grandfather piled up before he died. In the end, she simply decides to \u201cbe\u201d in the world. Her resolution that \u201cwe are okay\u201d indeed becomes as profound as any battle cry.<\/p>\n

Flawed characters<\/h2>\n

Another trend is the proliferation of young women who embrace their imperfection in whatever big or small form it may come. They are much more willing to open themselves up to risk and and much more willing to reveal their humanity. <\/p>\n

Perhaps with this trend, young adult fiction has grown up the most. Whether it\u2019s the super quirky Flora Belle Buckman<\/a> and her voracious reading of \u201cTerrible Things Can Happen to You\u201d in Newbery winner Kate DiCamillo\u2019s \u201cFlora and Ulysses,\u201d<\/a> or the parallel protagonist, intergenerational duo of Xan and Luna in \u201cThe Girl Who Drank the Moon\u201d<\/a> by Kelly Barnhill, female heroines in young adult fiction are now showing both their wisdom and their warts from cover to cover.<\/p>\n

And this trend is consistent across genres: Whether readers enjoy realism, historical fiction or fantasy, the female characters are both out front and far out. These characters and their courageous authors feel no need for tidy endings or polished edges. And, if book sales or online reviews are any indication, readers love it because the characters live through these flaws boldly and without reservation.<\/p>\n

The standout in this trend is a standout all around these days, with the introduction of the girl across the street that everyone comes to admire: Starr Carter<\/a>, in Angie Thomas\u2019 wildly successful \u201cThe Hate U Give.\u201d<\/a> Caught up in a senseless police shooting of a neighborhood teen, the protagonist navigates between her all-white school and her blatantly mischaracterized \u201cghetto\u201d neighborhood companions.<\/p>\n

With an uncle as a cop, Starr struggles to find her voice and describe the lived experience of being pulled over and watching her friend gunned down for driving while black. This piece is powerful all the way until its resolution precisely because Starr is a conflicted and confused character redefining \u201cstrong\u201d as she traverses atypical situations.<\/p>\n

Still not diverse<\/h2>\n

One final trend is quite a bit less uplifting than the first two: Today\u2019s heroine is still very white and very upper middle class.<\/p>\n

Yes, there are amazing black heroines these days, and they are racking up awards for their equally amazing authors: \u201cThe Lions of Little Rock,\u201d<\/a> by Kristin Levine; \u201cBrown Girl Dreaming\u201d<\/a> and \u201cAnother Brooklyn,\u201d<\/a> both by Jacqueline Woodson, are notable examples.<\/p>\n

Authors and publishers have made inroads. And individuals such as 13-year-old activist and trailblazer Marley Dias<\/a> will help lead the way with her inspirational #1000BlackGirlBooks movement<\/a> and the literary buzz it has created. But Marley isn\u2019t alone in her need for more \u2013 and more meaningful \u2013 diversity and inclusion in young adult literature.<\/p>\n

\"TheDiversity in young adult fiction needs to reflect the nation\u2019s demographics \u2013 because currently it does not<\/a>.<\/p>\n

Kelly Roberts<\/a>, Associate Professor of English; Program Coordinator, 6-9 and 9-12 licensure programs in English, Meredith College<\/a><\/em><\/span><\/p>\n

This article was originally published on The Conversation<\/a>. Read the original article<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kelly Roberts, Meredith College Strong female protagonists in young adult fiction are nothing new. From Nancy Drew to Annemarie Johansen \u2013 Lois Lowry\u2019s selfless heroine in Holocaust-era \u201cNumber the Stars\u201d \u2013 to a plucky young Lucy Pevensie in \u201cThe Chronicles of Narnia,\u201d young adult fiction has always enjoyed a healthy share of women ready to […]<\/p>\n","protected":false},"author":44,"featured_media":12344,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[292],"tags":[2143,4609,4608],"_links":{"self":[{"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/posts\/12343"}],"collection":[{"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/comments?post=12343"}],"version-history":[{"count":1,"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/posts\/12343\/revisions"}],"predecessor-version":[{"id":12345,"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/posts\/12343\/revisions\/12345"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/media\/12344"}],"wp:attachment":[{"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/media?parent=12343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/categories?post=12343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/tags?post=12343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}