{"id":2280,"date":"2014-11-13T03:08:34","date_gmt":"2014-11-13T03:08:34","guid":{"rendered":"http:\/\/www.lifeandnews.com\/articles\/?p=2280"},"modified":"2014-11-13T03:08:34","modified_gmt":"2014-11-13T03:08:34","slug":"time-stands-still-for-doctor-who-despite-the-masters-sex-change","status":"publish","type":"post","link":"https:\/\/www.lifeandnews.com\/articles\/time-stands-still-for-doctor-who-despite-the-masters-sex-change\/","title":{"rendered":"Time stands still for Doctor Who, despite the Master\u2019s sex change"},"content":{"rendered":"

By Matt Hills<\/a>, Aberystwyth University<\/em><\/span><\/p>\n

Warning: this article contains spoilers.<\/em><\/p>\n

\n

The eighth series of Doctor Who began by introducing a new Doctor, in the shape of Peter Capaldi. But now we\u2019ve reached its end an even greater talking point is undoubtedly the recasting of the Time Lord\u2019s arch enemy, the Master, as the Mistress.<\/p>\n

After it was revealed in the penultimate episode who Missy, played by Michelle Gomez, really was (Missy \u2013 Mistress \u2013 Master, geddit?) the internet went wild about the idea that Time Lords can regenerate into Time Ladies, spawning further speculation as to the possibility of a lady Doctor<\/a>. It has already been established that this sort of sex change regeneration is possible, thanks to a brief mention in Neil Gaiman\u2019s episode The Doctor\u2019s Wife<\/a>, but few people had expected the Doctor\u2019s nemesis to undergo such a high-profile gender swap.<\/p>\n

Now we\u2019ve seen how this all plays out, we can think about the Time Lord\/Lady sex change more carefully. How did the Master\u2019s transformation inflect (or not) the story that was told?<\/p>\n

Girly girl?<\/h2>\n

In some senses \u2013 and as might be expected for a \u201cfamily\u201d show \u2013 gender stereotypes were upheld to a T. Not only did the Master extravagantly and tauntingly kiss the Doctor in Dark Water<\/a>, the penultimate episode, but the Doctor reciprocated in the finale Death in Heaven<\/a>, albeit his being a kiss of gratitude. It\u2019s hard to imagine Doctor-Master kissing being included in such a way between, say, John Simm and Peter Capaldi, and this strikes me as a scripting decision based squarely on Missy being a woman.<\/p>\n

Hints of demented romance work in the same way. Where the Doctor-Master bromance was strongly but sub-textually present in the David Tennant era, Missy refers to the Doctor as her \u201cboyfriend\u201d when we first see her \u2013 and deliberately misquotes Casablanca<\/a> at the Doctor. Twisted, epic romance rises to the surface of the show in these moments, but the presence of such material again hinges on the Doctor-Master relationship being visibly that of a male-female pairing. Nonetheless, director Rachel Talalay, who oddly goes unrecognised in The Guardian\u2019s feminist reading<\/a>, makes brilliant use of the camera, holding our attention on Michelle Gomez, Peter Capaldi and Jenna Coleman at vital moments.<\/p>\n

\"\"
Don\u2019t let those emotions get the better of you, Missy.<\/span>
\n BBC\/Adrian Rogers<\/span><\/span>
\n <\/figcaption><\/figure>\n<\/p>\n

And this version of the Master has a rather different agenda to earlier incarnations; this is a Master who\u2019s obviously watched \u201cnew Who\u201d and is fully on-board with the notion of having a more emotional logic to her motivations.<\/p>\n

Or, put another way, it\u2019s again rather unsurprising that a female Master might feel more, being driven less clearly by megalomania \u2013 however \u201cbananas\u201d and overtly psychotic she is. She wants, instead, her \u201cfriend back\u201d. The Mistress even offers the Doctor a gift on his birthday, complete with performing a rendition of Marilyn Monroe\u2019s infamous \u201cHappy Birthday, Mr President\u201d. Rather than competing over who will \u201cwin\u201d, as we\u2019re used to with the Master, Missy seemingly desires a recognition that she and the Doctor are \u201cthe same\u201d. She wants some sense of reciprocity rather than macho rivalry.<\/p>\n

As the Monroe pastiche makes clear, though, Missy\u2019s emotional need is crafted as absolutely gendered. However tempting it may be to interpret a female Master as a positive step forward for the show\u2019s gender representations \u2013 and as a step that brings a female Doctor ever nearer, it\u2019s a move here that seems, in places, to draw on a very limited set of gendered incarnations and meanings.<\/p>\n

The bigger picture<\/h2>\n

In response one might suggest that the themes of childhood friendship and emotion are only contingently linked to the Master\u2019s re-gendered regeneration. After all, mirrored hero-villain pairings are almost the default setting in contemporary popular culture.<\/p>\n

And by focusing on the difference between gendered incarnations of the Master, we\u2019re in danger of downplaying the difference at the centre of the finale, namely that between the Doctor and the Master. In many senses, Michelle Gomez\u2019s superb performance as Missy is of a piece with John Simm\u2019s: both versions are excessively unhinged. Missy is indeed \u201cbananas\u201d, and Gomez\u2019s delightfully heightened performance style is one where she relishes the chance to bite her lip at opportune close-up moments, or to sway regressively and childishly from side to side when asking if the Doctor has any more friends she can \u201cplay with\u201d (that is, kill). These exaggerated, stylised choices strike me as very much in tune with the show\u2019s previous depiction of the Master.<\/p>\n

\"\"
Michelle Gomez as The Mistress and Peter Capaldi as The Doctor.<\/span>
\n BBC\/Adrian Rogers<\/span><\/span>
\n <\/figcaption><\/figure>\n<\/p>\n

The sex change is seemingly something written not as a matter of gender politics or progression, but instead as another part of Doctor Who\u2019s unfolding \u2013 it offers a visible \u201ctwist\u201d, whilst the underlying meanings of the hero-villain mirroring remain central. And it offers a new spin on the Master, even while drawing on very restricted gender codes and feeding off John Simm\u2019s portrayal (where he was the prime minister, the Doctor now gets to be president). Focusing purely on a sex change regeneration means missing these powerful continuities.<\/p>\n

Yes, there may well be a female Doctor in future. But for now it\u2019s just a possibility to be teased and played with, as in the pre-credits sequence to the final episode and its altered title sequence (for the first few minutes of the finale it seems possible that Jenna Coleman is herself playing the Doctor).<\/p>\n

Going forward, if I too was forced to throw my hat into the guessing ring I\u2019d nominate Andrea Riseborough<\/a> as a future Queen\/King of Gallifrey. But when the title role ultimately undergoes a sex change then it will hopefully allow for a wider range of gender roles, going beyond equations of femininity and emotionality, as well as status quo codes of romance.<\/p>\n

But those are different kinds, and orders, of hope. Getting a female Doctor, just like a female Master, could merely replay some of contemporary pop culture\u2019s norms and codes. You never know what you\u2019re going to get with regeneration\u2026 but you can make educated guesses, given the stark parameters of mainstream media.<\/p>\n

\"The<\/p>\n

Matt Hills does not work for, consult to, own shares in or receive funding from any company or organisation that would benefit from this article, and has no relevant affiliations.<\/em><\/p>\n

This article was originally published on The Conversation<\/a>.
\n Read the original article<\/a>.\n <\/p>\n","protected":false},"excerpt":{"rendered":"

By Matt Hills, Aberystwyth University Warning: this article contains spoilers. The eighth series of Doctor Who began by introducing a new Doctor, in the shape of Peter Capaldi. But now we\u2019ve reached its end an even greater talking point is undoubtedly the recasting of the Time Lord\u2019s arch enemy, the Master, as the Mistress. After […]<\/p>\n","protected":false},"author":39,"featured_media":2281,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7,41],"tags":[],"_links":{"self":[{"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/posts\/2280"}],"collection":[{"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/comments?post=2280"}],"version-history":[{"count":1,"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/posts\/2280\/revisions"}],"predecessor-version":[{"id":2282,"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/posts\/2280\/revisions\/2282"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/media\/2281"}],"wp:attachment":[{"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/media?parent=2280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/categories?post=2280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifeandnews.com\/articles\/wp-json\/wp\/v2\/tags?post=2280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}